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Despite the success of the daguerreotype, it had its drawbacks, primarily that the image could not be reproduced.

The daguerreotype is a direct-positive procedure that produces a highly detailed image without the use of a negative on a sheet of copper that has been thinly coated with silver.

The procedure needed to be done carefully. It was necessary to first clean and polish the silver-plated copper plate until the surface resembled a mirror. The plate was then exposed to iodine in a confined box until it developed a yellow-rose colour.

The plate was then moved to the camera while being held in a light-proof holder. The plate was exposed to light before being developed until an image appeared over hot mercury. The plate was submerged in a sodium thiosulfate or salt solution to correct the picture, and then it was toned with gold chloride.

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The smooth flow of traffic can be blocked by many different things. Slowing down to look at a collision scene, for example, can not only impede the flow of traffic but also be a safety hazard as drivers may not be paying attention to the cars in front and around them.

All the options are correct.

Unnecessary lane changes can also cause traffic to back up, especially if a driver does not check to ensure the lane is clear beforehand. Additionally, increased use of public transportation such as buses or trains can also slow down traffic due to cars having to pull over or wait for the larger vehicles to pass.

All of these behaviors can slow down, reduce, or block the flow of traffic; therefore, it is important for drivers to be mindful of their driving habits and check for any potential impediments on the road.

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Slowing down to look at a collision scene blocks the smooth flow of traffic. Avoiding unnecessary lane changes and using public transportation instead of your vehicle can help maintain a steady flow of traffic.

The option that blocks the smooth flow of traffic is slowing down to look at a collision scene. When drivers slow down to observe an accident, it creates a traffic bottleneck and increases congestion. This behavior is known as rubbernecking and can lead to more accidents and delays.

Avoiding unnecessary lane changes, on the other hand, helps to maintain a steady flow of traffic. By staying in one lane unless necessary, drivers prevent unnecessary disruptions and maintain a smoother traffic flow.

Using public transportation instead of your vehicle can also help to reduce traffic congestion. When more people choose to use public transportation, there are fewer vehicles on the road, resulting in less congestion and smoother traffic flow.

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King Theodoric was the ostrogothic king and patron of the church of sant' apollinare nuovo in ravenna.

The Ostrogothic king and patron of the church of Sant' Apollinare Nuovo in Ravenna was King Theodoric. Theodoric was the king of the Ostrogoths from 471 to 526 AD and was known for his efforts to unite the various tribes and kingdoms in Italy under his rule.

He was also a supporter of Arianism, a Christian heresy that denied the doctrine of the Holy Trinity, and he used his position to promote this faith among his subjects.

One of his most significant architectural achievements was the construction of the palace and church complex in Ravenna, which included the church of Sant' Apollinare Nuovo. Theodoric was buried in a tomb in Ravenna, which is now a UNESCO World Heritage site.

Hence, King Theodoric was the Ostrogothic king and patron of the church of sant' apollinare nuovo in ravenna.

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The jamb statue of Saint Theodore differs from Romanesque depictions of the human body in its naturalistic and dynamic stance called contrapposto.

The jamb statue of Saint Theodore represents a departure from the typical style of Romanesque depictions of the human body. Unlike the rigid and stylized figures commonly found in Romanesque art, the statue of Saint Theodore exhibits a more naturalistic and dynamic stance known as contrapposto.

Contrapposto is a pose in which the body's weight is unevenly distributed, creating a sense of movement and a more lifelike appearance. In the case of the jamb statue of Saint Theodore, the figure stands with one leg bearing most of the weight while the other leg is relaxed, resulting in a subtle S-shaped curve in the body. This shift in weight and the corresponding asymmetry in the body's posture  sculptures contribute to a greater sense of realism and naturalness.

By incorporating contrapposto, the jamb statue of Saint Theodore introduces a more fluid and expressive representation of the human body compared to the static and hieratic style commonly associated with Romanesque art. This departure from the traditional Romanesque conventions reflects an evolving interest in capturing a more lifelike and dynamic portrayal of figures in sculpture

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Heavy metal often combined technical speed and virtuosic musicianship. This allowed for the genre to produce some of the most intricate and complex music ever produced.

Heavy metal is a genre of music that is characterized by its distorted guitar tones, heavy rhythms, and aggressive vocals. The origins of heavy metal can be traced back to the late 1960s and early 1970s, with bands such as Black Sabbath and Deep Purple pioneering the genre.

Heavy metal often combined technical speed and virtuosic musicianship. This allowed for the genre to produce some of the most intricate and complex music ever produced.

Many of the most famous heavy metal guitarists are renowned for their technical skills and ability to perform complex solos and riffs at high speeds.

Virtuosic musicianship refers to the level of skill and expertise that a musician possesses. It is often characterized by technical proficiency and the ability to perform complex musical passages with ease.

In heavy metal, virtuosic musicianship is highly valued, with many of the genre's most famous musicians known for their exceptional skill and ability to perform intricate and complex music. Heavy metal is a genre of music that has evolved over the years to encompass a wide range of styles and sub-genres.

Despite this, the emphasis on technical skill and virtuosic musicianship remains a core element of the genre, making it one of the most complex and challenging forms of music to perform.

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Harmony first appear in western music is Around 1400.The correct answer is option D.

Harmony, the vertical aspect of music involving the simultaneous sounding of different pitches, has been a fundamental element in Western music for centuries.

While its development is a complex and gradual process, it is generally agreed that harmony as we understand it today began to emerge in Western music around the 14th century, specifically during the late medieval and early Renaissance periods.

During this time, composers started to experiment with new harmonic possibilities by using triads (chords consisting of three notes) and exploring consonance and dissonance.

The use of harmonic intervals such as thirds and sixths became more prevalent, leading to the creation of harmonically rich and expressive compositions.

One significant milestone in the development of Western harmony was the advent of polyphony, where multiple melodic lines were interwoven. Composers like Guillaume de Machaut and Guillaume Dufay contributed to this evolving harmonic language in the 14th and 15th centuries, respectively.

The increased complexity and interplay of voices in polyphonic music necessitated a greater understanding and control of harmonic relationships.

Therefore, based on the given choices, the most accurate answer would be D. Around 1400, when Western music was transitioning from the medieval period to the Renaissance, marked the significant emergence of harmony as an essential component of musical expression.

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The probable question may be:
when did harmony first appear in western music? group of answer choices

A. around 900

B. around 1750

C. around 1900

D. around 1400

When a softball is hit by the batter and is traveling toward the pitcher, it is experiencing a wide range of physical forces.

The inertia, or tendency of the object to remain at rest is of primary importance. This inertia gives the softball its momentum, allowing it to continue moving in the same direction with the same speed, unless acted upon by an outside force.

The softball is also experiencing gravitational force, or the force of attraction by the earth's gravitational field. It resists this force as it travels due to its inertia, but gravity does pull it towards the earth.

The air itself can act as a force on the fast-moving softball as it generates drag, which is a resistant force generated by air on any object moving through it. This drag slows the trajectory of the softball as its projectile motion slows.

Finally, the spinning action of the softball as it leaves the bat creates a force known as Magnus Effect, which works to give the softball spin and keeps it in the same direction of travel as it experiences the other forces.

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Other than the church organ, the major keyboard instrument in the Renaissance was the Harpsichord.

The harpsichord typically has two or more string sets, each of which provides a distinct tone quality. A set of strings at standard pitch is referred to as an 8-foot register, however one set may sound an octave higher than the others and is referred to as a 4-foot register.

A 16-foot register that sounds an octave lower is introduced to some harpsichords from the 20th century, but older harpsichords very rarely had this modification. Because they are plucked at different points or with plectra made of various materials, two sets of 8-foot strings may generate tones with varied qualities.

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Mendietta used her own body in a Tree of Life project to suggest the energy of her body joining with the earth. Option d is correct answer

In her Tree of Life project, artist Ana Mendieta incorporated her own body to symbolize the connection between her physical being and the natural world. By positioning herself within the artwork, she conveyed the idea of her body's energy merging with the earth. This concept goes beyond simply representing rolling hills in the Mexican countryside or creating a monumental carving.

Instead, Mendieta's intention was to express a deeper, spiritual connection between herself and the environment. By using her body as a medium, she emphasized the symbiotic relationship between human existence and the natural world, suggesting that our energy is intricately intertwined with the earth. This approach also evokes the notion of wearing a mask or costume, where Mendieta's body sculpture becomes a vessel through which she explores her connection to nature and expresses her identity as a part of the larger ecosystem.

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The Complete question is

Mendietta used her own body in a Tree of Life project to suggest:

a Rolling hills in the Mexican countryside

b It was a monumental carving 18 feet high

c It was considered equivalent to wearing a mask or costume.

d the energy of her body joined with the earth.

The texture of Renaissance music is chiefly polyphonic.

Hence, the correct answer is option c.

Polyphony refers to a musical texture in which multiple independent melodic lines or voices are heard simultaneously. In Renaissance music, composers aimed for a balanced and intricate interplay between the voices, creating rich and complex harmonies.

This polyphonic texture was achieved through techniques such as counterpoint, where each voice maintains its own melodic and rhythmic independence while harmonically interacting with the other voices. The goal was to create a seamless and cohesive musical composition with intricate voice leading and carefully crafted harmonic progressions.

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The given question is not properly written. Hence, the proper question is:

"The texture of Renaissance music is chiefly

A. monophonic

B. homophonic

C. polyphonic

D. heterophonic"

The texture of Renaissance music is mainly polyphonic, with multiple independent melodies or voices.

The texture of Renaissance music is chiefly polyphonic. Polyphonic texture is characterized by multiple melodies or voices that are independent but harmonically connected. In Renaissance music, composers often wrote music for multiple voices or instruments that were of equal importance, creating intricate and complex polyphonic textures.

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Based on the examples given, the genres that exceptionally define each piece are:

String quartet: Chamber music

Violin concerto: Concerto

Serenade: Light classical or chamber music

Symphony: Orchestral song

A string quartet is a genre of chamber song composed of 2 violins, a viola, and a cello. It typically includes a couple of moves and highlights the interaction and harmony among the 4 string devices.

A violin concerto is a composition for solo violin and orchestra. It capabilities a virtuosic solo violin component accompanied by way of an orchestral ensemble. The concerto form regularly includes multiple movements, allowing the soloist to showcase their technical talent and musical interpretation.

A serenade is a light classical composition frequently written for a small ensemble, along with a chamber group or a small orchestra. It is normally characterized by the aid of its melodic and stylish nature, often intended for evening or door performances.

A symphony is a massive-scale orchestral composition generally such as multiple moves. It showcases the overall talents of an orchestra, incorporating diverse sections and devices. Symphonies frequently follow a standardized structure and are recognized for their dramatic and expansive sound.

Each of those genres represents a distinct musical form and context, presenting unique reports and challenges to each composer and performer.

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To cite from the Norton Anthology of American Literature, you need to follow the Modern Language Association (MLA) citation style.

Here are the steps on how to cite from the Norton Anthology of American Literature in MLA format:

In-Text CitationFor in-text citation, use the author's last name and the page number from which the quote or information was taken. For example:(Ellison 141)Works Cited PageFor the works cited page, start with the author's last name followed by the first name. Then, provide the title of the work in italics. Next, include the name of the editor in the following format: “Ed.” (without the quotation marks) followed by the editor's name. After this, provide the volume number, followed by the city of publication, publisher's name, year of publication and medium of publication (print or online). The citation format should look like this:

Ellison, Ralph. Invisible Man. Ed. John F. Callahan. Vol. 2, W. W. Norton, 2006, pp. 89-594.Print.Note that if you are using a specific selection or chapter from the Norton Anthology, you will need to include the title of that particular work or selection in quotations before the title of the anthology. For example:Twain, Mark. “The Notorious Jumping Frog of Calaveras County.” The Norton Anthology of American Literature, edited by Nina Baym, 8th ed., Vol. C, W. W. Norton, 2012, pp. 629-634.

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A filmmaking technique that alters between two separate actions related by cross-cutting of interest stays clear while the remainder of the scene blurs of focus.

Cross-cutting, also known as parallel editing, is a filmmaking technique that alternates between two or more separate actions or storylines within a scene. It is used to create tension, build suspense, or highlight the connection between different events happening simultaneously.

When employing cross-cutting, the main actions or elements of interest are shown in clear focus, while the rest of the scene or secondary actions may be deliberately blurred or less focused. This visual contrast draws attention to the primary actions and helps the audience understand the temporal or thematic relationship between the different elements being presented.

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Answer:

option d

Explanation:

i have taken this test before and have passed

True, notated music solely intended for instruments was not common before the late Renaissance, but it became more prevalent in the 16th century.

Before the late Renaissance, the majority of notated music was vocal music, with instruments serving mainly as accompaniment or providing additional support to the voices. However, during the 16th century, there was a significant shift towards composing music specifically for instruments. While there were earlier examples of instrumental music, it was not until the 16th century that substantial quantities Renaissance period of music solely intended for instruments began to emerge.

This period witnessed the development of various instrumental forms, such as dance suites, fantasias, and canzonas, which showcased the capabilities and unique characteristics of different instruments. Composers like Giovanni Gabrieli, William Byrd, and John Dowland contributed to the growing repertoire of instrumental music during this time. The increasing popularity of instrumental music paved the way for further advancements in composition and performance techniques, leading to the rich and diverse instrumental traditions that we have today.

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The instrument I have selected is the violin, a stringed instrument that produces different sounds and notes through the interaction of standing waves and resonance.

The violin is a stringed instrument that consists of four strings stretched across a hollow wooden body. When a violinist plays the instrument, they create sound by drawing a bow across the strings or by plucking them. The sound produced is a result of the interaction between standing waves and resonance.

When a string is played, it vibrates and creates standing waves. These standing waves are the result of the string's length, tension, and mass. The length of the string determines the fundamental frequency or pitch of the sound produced. By pressing the strings against the fingerboard, the violinist effectively shortens the length of the vibrating portion of the string, thus producing different pitches.

Resonance also plays a crucial role in the production of sound in a violin. The hollow body of the instrument acts as a resonating chamber, amplifying and enriching the sound produced by the vibrating strings. As the strings vibrate, they transfer energy to the body of the violin, causing the air inside the instrument to vibrate sympathetically. This vibration of the air column within the violin enhances the sound and gives it a distinct timbre.

Additionally, the violinist can manipulate the sound further through techniques such as bowing position, pressure, speed, and vibrato. These techniques affect the amplitude and quality of the sound produced, adding nuances and expression to the music.

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The painting master who began his career painting theatrical backdrops is d. Fragonard. Jean-Honoré Fragonard was a French painter of the Rococo period who gained recognition for his enchanting and playful style. Early in his career, Fragonard trained under François Boucher, another prominent Rococo painter, and honed his skills by working on theatrical productions.

Fragonard's involvement in theater led him to paint scenic backdrops known as "decors." These backdrops were used to create the illusion of different settings on stage, enhancing the visual experience of the theatrical performances. Painting decors required a keen understanding of perspective, composition, and the ability to create immersive and atmospheric scenes.

While Fragonard's career expanded beyond theatrical backdrops, his experience in the theater influenced his artistic style. His paintings often exhibit a sense of movement, theatricality, and a penchant for capturing moments of lightheartedness and indulgence. Fragonard's works are characterized by their vibrant colors, delicate brushwork, and depictions of elegant figures engaged in playful activities.

Fragonard's talent eventually propelled him to become one of the leading painters of his time, renowned for his intimate scenes, romantic landscapes, and elaborate genre paintings. His notable works include "The Swing," "The Stolen Kiss," and "The Happy Accidents of the Swing."

In summary, d. Fragonard began his artistic career by painting theatrical backdrops, an experience that shaped his style and approach to painting. His involvement in theater laid the foundation for his later success as a celebrated Rococo painter known for his playful and enchanting works.

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Answer: the jazz trombone

Explanation:

The Doric, Ionic, and Corinthian orders are types of architectural orders used in ancient Greek and Roman architecture to design columns and their capitals. They represent different styles and design elements, ranging from simplicity to ornate decoration.

The Doric, Ionic, and Corinthian orders all refer to types of architectural orders or styles in ancient Greek and Roman architecture. These orders are characterized by specific design elements and proportions used in the construction of columns and their capitals.

The Doric order is known for its simplicity and sturdy appearance, with columns featuring plain capitals. The Ionic order is more ornate, with columns topped by volutes or spiral scrolls. The Corinthian order is the most decorative, with columns adorned with elaborate acanthus leaf capitals. Each order has its own distinct aesthetic and has been widely used in the design of temples, buildings, and monuments throughout history.

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In a type of song where vocalists sing different melodies at the same time, it is referred to as a "harmony" or "polyphonic" song.

The option (A) is correct.

Harmony refers to the combination of different pitches or melodies that are sung or played simultaneously, creating a pleasing and layered sound. In this type of song, each vocalist sings a distinct melody that is harmonically related to the main melody or other vocal parts.

Polyphony is a term used to describe music with multiple independent melodic lines that are played or sung together. The vocal lines may have different pitches, rhythms, and lyrics, but they blend together to create a harmonious and textured musical composition.

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This question is not complete, Here I am attaching the complete question:

In what type of song do vocalists sing different melodies at the same time?

(A) "harmony" or "polyphonic" song

(B)  infinite canon

(C) improvisational

In Beethoven's Vienna, musical patronage played a crucial role in shaping the cultural and social landscape of the time. The aristocracy and the middle class were the primary patrons of music, providing financial support to composers, musicians, and performers.

This patronage system not only allowed artists to sustain their livelihoods but also influenced the type of music that was created. The aristocracy, including nobles and wealthy individuals, held significant power and influence over the arts.

The aristocratic patrons had specific preferences and expectations, often favoring elegant, refined, and aristocratic styles of music. The middle class sought to establish its social status and cultural identity, and music became a means of achieving this goal.

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The three needs theory of motivation states that there are three requirements that are primary motivators in work. These three requirements are achievement, power, and affiliation.

People have an inherent desire to feel competent in their chosen field, to be able to influence others in their environment, and to develop positive and meaningful relationships with others.The first need is the need for achievement.

The need for achievement is when people want to achieve a high degree of success in their chosen field of work. They want to feel like they are competent, that they have accomplished something meaningful, and that they have made a difference.

This is often accomplished by working hard, taking risks, and setting challenging goals for oneself.The second need is the need for power. The need for power is when people want to be able to influence others in their environment. They want to feel like they have control over their surroundings, that they can make a difference in the lives of others, and that they are respected and valued by their peers.

This is often accomplished by being a leader, by taking charge of situations, and by being assertive.The third need is the need for affiliation. The need for affiliation is when people want to develop positive and meaningful relationships with others. They want to feel like they are part of a team, that they are valued by others, and that they can contribute to the success of the group. This is often accomplished by working collaboratively, by being supportive of others, and by being a team player.

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The given statement that If an artist wanted to paint a very detailed miniature forest scene, tempera would be a good medium to use is true.

Tempera is a durable, quickly drying painting medium made of coloured pigments combined with a water-soluble binder, typically a glutinous substance like egg yolk. Paintings created with this media are also referred to as tempera.

Tempera paintings have an extremely long lifespan; there are still examples dating back to the first century AD. Prior to the invention of oil painting around 1500, egg tempera was the predominant painting technique.

Although the binders in this paint are different from those in traditional tempera paint, it is nevertheless frequently referred to as "tempera paint" in the United States. This paint is composed of pigment and a binder.

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Answer:
While both theories presented on the Aryan Invasion Controversy seem to provide compelling arguments based on linguistic evidence, archaeological finds, and historical texts, it is difficult to definitively determine which theory holds more weight without further research and analysis.

Personally, the Elite Model theory seems more plausible because it suggests that a smaller group of invaders with superior technology and military tactics were able to conquer and integrate into the existing Indian population rather than completely replacing them. This idea aligns better with what we observe in human societies throughout history – namely, that power dynamics often result in elites dominating local populations but not entirely eradicating them. However, additional data, like genetic studies and new interpretations of historical documents, might change one’s perspective.

Regarding encountering negative attitudes towards non-Western cultures.

The type of police communication considered a "lost art" is interpersonal communication.

Interpersonal communication is the type of police communication that is often referred to as a "lost art." Interpersonal communication involves face-to-face interactions, active listening, empathy, and effective verbal and non-verbal communication skills.

In the modern era, with the advancement of technology and the emphasis on electronic communication, interpersonal communication within the police force has been somewhat overshadowed.

However, it is considered crucial for building trust, establishing rapport, and resolving conflicts in law enforcement interactions.

The "lost art" aspect refers to the diminishing emphasis on developing strong interpersonal communication skills among police officers, which can have a significant impact on community relations and the overall effectiveness of policing efforts.

Revisiting and prioritizing interpersonal communication can enhance community engagement, improve officer-citizen interactions, and foster positive relationships between the police and the communities they serve.

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According to Henri Bergson, comedy is special because it is not culturally specific. This statement is False.

Bergson argues that comedy is deeply rooted in cultural and social contexts and that what is considered funny or comedic varies across different cultures and time periods.

He suggests that comedy arises from the perception of certain incongruities or deviations from expected norms within a particular society or cultural setting. These deviations, while capable of eliciting laughter within a specific cultural context, may not have the same comic effect in other cultures.

Therefore, Bergson's view implies that comedy is influenced by cultural specificities and is not universally applicable or independent of cultural factors.

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The given statement, "T-Bone Walker was among the first major artists to play the electric guitar," is true because of his innovative use of amplified electric guitar solos and his influential contributions to the blues genre.

T-Bone Walker is widely recognized as one of the pioneering musicians who popularized and established the electric guitar as a prominent instrument in modern music. In the 1940s, Walker began incorporating amplified electric guitar solos and innovative techniques into his blues performances, creating a distinctive and influential sound. He is credited with introducing the concept of playing lead guitar solos on an electric instrument in the blues genre.

Walker's dynamic style, which combined elements of jazz and R&B with the blues, showcased the versatility and expressive potential of the electric guitar. His impact on subsequent generations of guitarists is significant, and he played a crucial role in shaping the development of electric guitar-driven music in various genres, making the statement true.

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The Beatles’ first song released by Parlophone was the single, “Love Me Do”. Written by John Lennon and Paul McCartney, it was recorded on 4 September 1962 at the legendary EMI studios at Abbey Road.

It was recorded with session drummer, Andy White, although Ringo Starr had already joined as the group’s permanent drummer. It has been speculated that The Beatles’ then manager Brian Epstein had wanted more professional backing for the group’s first professional single recording.

The single was released on the 5th of October 1962 and received a lukewarm response from the public. However, it still entered the UK singles chart, peaking at number 17. The Beatles followed up with their second single, “Please Please Me”, which reached number 1, marking the beginning of what would soon be England’s greatest rock phenomenon. The Beatles went on to become one of the most influential bands in recording history, and today, “Love Me Do” is considered to be the start of The Beatles legendary career.

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The question-

Which was the beatles' first song released by parlophone ?

The quote “Happiness is not something ready-made. It comes from your own actions” was famously said by the 14th Dalai Lama, Tenzin Gyatso.

He emphasized the importance of personal responsibility, by insisting that true happiness must be created by the individual. He believed that sitting and waiting for happiness is not productive, rather genuine contentment could only come from actively working to make the right decisions and take the right actions.

He often preached that life should be about more than indulging in momentary pleasures, and that true satisfaction came from living an ethical life based upon compassion for others. According to the Dalai Lama, true happiness is an inside job, as it stems from actions guided by moral courage and respect for life.

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