in this excerpt from the end of the first movement of symhpony no 5, beethoven features which instrument

False 20th century music embraces extremism in any aspect of music, more than any other area in history.

While there were certainly instances of extreme musical styles or movements in the 20th century, it is not accurate to say that it embraced extremism in any aspect of music more than any other area in history. There have been periods in the past, such as the Baroque era, where musical styles were quite ornate and complex. Additionally, there are plenty of examples of contemporary music that do not fall into the category of extremism. Therefore, it would not be accurate to make such a broad generalization about 20th century music.

It is important to recognize that the term "extremism" can be somewhat subjective and open to interpretation. However, even with that caveat in mind, it is difficult to make the case that 20th century music was more extreme than any other era in history. While there were certainly movements like atonal music or serialism that pushed the boundaries of traditional Western music, there were also plenty of other styles that did not fall into that category. For example, jazz and popular music were incredibly influential in the 20th century and often had a more accessible and less avant-garde sound.

Furthermore, it is worth noting that there were other periods in history where music was just as complex and ornate as some of the more extreme 20th century styles. For example, the Baroque era was characterized by intricate polyphony and virtuosic instrumental writing. Similarly, the Romantic era featured composers like Wagner and Mahler who wrote incredibly long and elaborate pieces of music that were sometimes criticized for being overly indulgent.

Ultimately, it is important to recognize that musical styles and movements are always evolving and changing. While there were certainly extreme examples in the 20th century, it is not accurate to make the blanket statement that it was more extreme than any other era in history.

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Answer:

Maman

Explanation:

The premiere of Igor Stravinsky's "The Rite of Spring" on May 29, 1913, in Paris, was met with a famously intense reaction from the audience.

The ballet, with its dissonant harmonies, irregular rhythms, and aggressive choreography, was unlike anything that had been seen or heard before, and many in the audience were outraged by what they saw as a deliberate attempt to shock and offend them.

The performance was marked by jeering, shouting, and even fistfights in the audience, and the police were called to maintain order. Despite the initial negative reaction, however, "The Rite of Spring" went on to become one of the most important and influential works of 20th-century music.

While it is difficult to say exactly how long it took for audiences to fully appreciate the music of "The Rite of Spring," it is clear that the piece has had a lasting impact on the world of classical music. Its innovative use of rhythm, harmony, and orchestration paved the way for many later composers, and it remains a favorite of concertgoers and music scholars alike.

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The final movement of Bach's Cantata No. 140 showcases a driving rhythm in the bass, lively dynamics, a descending melody in long notes, and a combination of different instruments in the orchestra. Here option B is the correct answer.

The following matching of descriptive words or phrases with the different elements of music found in the final movement of Bach's Cantata No. 140:

1. Rhythm - Repeating patterns of short notes in the bass

2. Dynamics - Energetic and lively

3. Melody - Descending melody in long notes

4. Harmony - Combination of different instruments in the orchestra

5. Timbre - Bright and festive

The final movement of Bach's Cantata No. 140, commonly known as "Wachet auf, ruft uns die Stimme" or "Sleepers Wake," is a chorale fantasia written for a four-part choir, soloists, and a small orchestra. It features a majestic melody, which is accompanied by intricate harmonies and a driving rhythm in the bass. The dynamics of the piece are lively and energetic, reflecting the joyful nature of the text.

The melody of the piece is characterized by a descending line in long notes, which adds to the gravity and solemnity of the piece. Harmony, on the other hand, is a combination of different instruments in the orchestra, including strings, oboes, and trumpet, which work together to create a full and rich sound.

Lastly, the timbre of the piece is bright and festive, fitting the text of the chorale, which speaks of the arrival of the bridegroom and the joy of the wedding feast. Overall, the different elements of music in this final movement of Bach's Cantata No. 140 work together to create a joyful and uplifting musical experience.

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Complete question:

Which of the following matches the descriptive words or phrases with the different elements of music as found in the final movement of Bach's Cantata No. 140?

A. Melody

B. Harmony

C. Rhythm

D. Dynamics

E. Timbre

1. Repeating patterns of short notes in the bass

2. Energetic and lively

3. Bright and festive

4. Descending melody in long notes

5. Combination of different instruments in the orchestra

Options:

A. 4, 5, 1, 2, 3

B. 2, 3, 4, 1, 5

C. 1, 5, 2, 3, 4

D. 3, 2, 5, 4, 1

E. 5, 1, 3, 2, 4

Roy Lichtenstein took from comic books and newspaper printing to demonstrate colour gradations in his painting, Girl in Mirror.

The goal of Lichtenstein's method, which frequently featured the use of stencils, was to give his artwork the appearance and feel of industrial printing processes. Benday dots, primary colours, and thick edges were some of the techniques Lichtenstein used to try to make his artwork look manufactured.

Jackson Pollock, in contrast to other painters, did not predetermine the appearance of his works. Before painting, many artists create little sketches as a planning tool. With his "direct method," which he invented, Pollock painted directly onto a blank canvas.

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Debussy and Ravel had similarities in their musical approach, they had unique styles that made their works recognizable and distinct from each other.

Firstly, both Debussy and Ravel were associated with the Impressionist movement in music, which was characterized by the use of innovative harmonies, timbres, and rhythms to evoke moods and atmospheres, rather than traditional forms and structures.

Secondly, they were both masters of orchestration, skilled at using the different colors and textures of different instruments to create rich and evocative soundscapes. Finally, both composers were influenced by the music of their predecessors, particularly by the innovations of Russian composer Modest Mussorgsky, whose music they both admired and sought to emulate in their own works.

Despite these similarities, Debussy and Ravel also had distinct styles and approaches to music, and their works remain unique and recognizable to this day.

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Ravel and Debussy shared a commitment to innovation and pushing the boundaries of classical music, their distinct approaches to harmony, melody, and orchestration set them apart from each other.

Ravel and Debussy are two of the most celebrated French composers of the early 20th century, known for their contributions to impressionism and modern classical music. While their styles share some similarities, there are distinct differences between them.

One key difference is their approach to harmony. Debussy often used more conventional harmonies, while Ravel experimented with more complex and ambiguous harmonies, blurring the lines between tonality and atonality. Ravel also tended to use more symmetrical structures, while Debussy's compositions were often more fluid and asymmetrical.

Another difference is their approach to melody. Ravel's melodies tend to be more angular and rhythmically complex, while Debussy's melodies are often more fluid and lyrical.

Finally, their use of orchestration is also different. Ravel was known for his intricate and imaginative orchestration, often employing unconventional instruments, while Debussy tended to focus on the timbres and textures of traditional orchestral instruments.

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The given statement 'tonality and 20th century music expanded through the use of bitonality, polytonality and atonality' is true.

In music,efers to the simultaneous usage of many keys. Bitonality is the simultaneous use of just two distinct keys. The simultaneous usage of multiple harmonic functions from the same key is known as polyvalence or polyvalency.

Music that lacks a tonal centre, or key, is considered atonal in the broadest sense. When used in this sense, atonality refers to compositions that were created between roughly the early 20th century and the present day and in which the notes of the chromatic scale are used independently of one another without the use of a hierarchy of harmonies centred on a single, central triad.

Atonality, used more specifically, refers to music that deviates from the tonal hierarchies that characterised European classical music.

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The term "style" refers to a sort of cinematic organization in which the elements build and support an argument or discourse. This statement is false.

Style refers to the distinctive visual and auditory elements used in a film to create a certain mood or tone, and to convey certain themes or ideas to the audience. These elements may include camera angles, lighting, sound effects, music, editing, and other techniques used to manipulate the film's aesthetic and emotional impact on the viewer.

On the other hand, the type of cinematic organization that creates and supports an argument or discourse is typically referred to as a narrative structure or storytelling technique. This includes techniques such as linear or non-linear storytelling, flashbacks, foreshadowing, and other narrative devices used to convey a film's plot and themes.

While style and narrative structure are both important elements in the creation of a film, they serve different purposes and should not be confused with one another.

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The positioning of a ring of arched windows at its base gives the huge dome of, constructed during the byzantine era, the appearance of being light and elegant. It is true.

Image gallery. In Vijayapura, Gol Gumbaz is the most well-known landmark. It is Mohammed Adil Shah's (reigned 1627–1657) mausoleum. Next in size only to St. Peter's Basilica in Rome, it is the second-largest dome ever constructed.

Engineers sculpted elaborate designs, known as coffers, along the sides of the Pantheon, the first masonry dome, to lessen the weight of the immense building. Additionally, they carved an oculus, or top hole, which produced the Pantheon's still-famous daily light show.

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Correct Question:

State true or fasle: the massive dome of , built during the byzantine period, appears to be light and graceful due to the placement of a ring of arched windows at its base.

False: There were different branches to the art of the American scene, one of which was realistic and the other abstract.

Jackson Pollock, real name Paul Jackson Pollock (January 28, 1912 – August 11, 1956), was a significant player in the abstract expressionist movement and a well-known American painter. Realist paintings, which first appeared in the middle of the 19th century, reflect daily life and typically have a nearly photographic quality.

Realism aims to do away with any stylization in favour of a gritty perspective on the reality. Paintings from the realism movement frequently depict working-class and rural settings. A mixed-media piece of art combines many media, sometimes in an unconventional way with unrelated elements including cloth, paint, wood, and clay.

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European immigrant composers in the United States drew from various types of music to establish a national American school, but jazz, folk music, and classical music were among the most significant influences. Here options A, B, and C are the correct answers.

Jazz, which originated in African American communities, played an important role in shaping American music in the early 20th century. European immigrant composers, such as George Gershwin and Aaron Copland, incorporated jazz elements into their works to create a uniquely American sound.

Folk music, including traditional songs and melodies from different regions of the United States, also influenced European immigrant composers. Composers like Charles Ives and Virgil Thomson used folk music as a source of inspiration, incorporating it into their compositions to create distinctly American pieces.

Rock and Roll and hip-hop, on the other hand, emerged much later and were not significant influences on the establishment of a national American school by European immigrant composers in the early 20th century.

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Complete question:

Which of the following types of music did European immigrant composers in the United States draw from to establish a national American school?

A) Jazz

B) Folk music

C) Classical music

D) Rock and Roll

E) Hip-hop

The term that describes music that relies entirely on the structures of sound for its expressive power is absolute music. Absolute music is music that is not connected to any outside source or story and does not have any descriptive elements.

It is simply music for music's sake. This type of music was prevalent in the Classical period, and composers such as Wolfgang Amadeus Mozart and Ludwig van Beethoven wrote numerous works in this style. Absolute music is often characterized by its formal structure, which is usually very clear and follows traditional forms such as sonata form, rondo, or theme and variations. The focus is on the beauty of the music itself, and the emotional impact it has on the listener.

Program music, on the other hand, is music that is associated with a specific story, image, or idea. It is meant to evoke a particular mood or atmosphere and often includes descriptive elements such as titles, program notes, or musical motifs that represent characters or events in the story. Symphonic poems are a type of program music that was popular in the Romantic period and are usually a single movement work that tells a story or describes a scene. Incidental music is also program music but is meant to accompany a specific theatrical or cinematic production. In contrast to absolute music, program music relies on outside sources to provide its expressive power, and often includes extra-musical elements that enhance its emotional impact.

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Ansel Adams applied the concept of pre-visualization. Pre-visualization is a technique used by photographers to envision the final image in their mind before taking a photograph.

The correct option is A.

Ansel Adams was known for applying this technique to his work, where he would carefully plan the composition, exposure, and development of the image in his mind before capturing it. He would then use his technical skills and his knowledge of the darkroom to bring his vision to reality.

This allowed him to create stunning images that are still celebrated today for their technical and artistic excellence. The correct option is A.

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The character who says the phrase "Look how our partner's rapt" is Banquo in William Shakespeare's play "Macbeth." Here option C is the correct answer.

Banquo is a general in King Duncan's army and one of Macbeth's closest friends. In the scene where this line is spoken, Banquo and Macbeth are on their way to meet with the three witches who have prophesized Macbeth's rise to power.

As they approach the witches, Banquo notices how intently Macbeth is staring at them and remarks, "Look how our partner's rapt." The word "rapt" means completely absorbed or engrossed, and Banquo is marveling at how focused Macbeth is on the witches and their prophecies.

This observation foreshadows the events that will unfold in the play, as Macbeth becomes increasingly consumed by his desire for power and begins to take extreme measures to ensure his success. Banquo, on the other hand, becomes suspicious of Macbeth's actions and ultimately pays a heavy price for his loyalty to his friend.

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Complete question:

Who says the phrase "look how our partner's rapt" in the play or book?

a) Macbeth

b) Lady Macbeth

c) Banquo

d) Duncan

The movie that was the first to include both spoken dialogue and a song was "The Jazz Singer." Here option A is the correct answer.

Released in 1927, it starred Al Jolson as a Jewish cantor's son who defies his father's wishes and becomes a popular jazz singer. The film was a groundbreaking moment in cinema history as it marked the beginning of the "talkies" era, where movies featured synchronized sound, including spoken dialogue and music.

While there had been earlier experiments with sound in film, "The Jazz Singer" was the first commercially successful feature-length film to use synchronized sound. The film's success not only revolutionized the film industry but also had a significant impact on the music industry, as it helped popularize sound recordings and the concept of the "soundtrack."

Overall, "The Jazz Singer" was a pivotal moment in film history, paving the way for the development of sound in film and opening up a whole new world of possibilities for filmmakers and musicians alike.

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Complete question:

Which movie was the first to include both spoken dialogue and a song?

A) The Jazz Singer

B) The Wizard of Oz

C) Singin' in the Rain

D) Snow White and the Seven Dwarfs

The ways in which the first snippet contrasts with the second excerpt are as follows: The metre in both samples is double. Option C is Correct.

Chopin's Revolutionary étude, which has a passionate dotted-rhythm melody in the right hand, sparkling - notes in the left hand, and the usage of a - key, is thought to have been inspired by the composer's intense affections for his native.

Due to its moody C minor key, which adds to the overall sense of tension, Chopin's Revolutionary étude has been interpreted in reference to the Russian insurrection in St. Petersburg against German dominance in 1830. Frédéric Chopin is renowned for his inventive piano compositions and passionate piano playing. Option C is Correct.

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Beethoven suffered from the disease of deafness, which had a significant impact on his compositional output. Option a is Correct.

Beethoven (26) began to endure ringing in his ears, which grew worse over time. His hearing loss, which leads to total deafness, started with this. He started a huge internal battle. Beethoven's No. The gripping intensity of the whole first movement of the fifth symphony derives from only a brief opening motif of four notes, which is astounding.

Every single component stems from this drive. It is the first symphony to use vocal soloists and chorus in an entirely instrumental genre up until that point. In the last movement, a chorus and four vocal soloists sing words.  Option a is Correct.

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Edward Hopper's paintings, including Nighthawks, are known for featuring a sense of loneliness, isolation, and urban melancholy.

Edward Hopper was a renowned American painter known for his realist depictions of urban and rural life in America. His paintings often portrayed a sense of loneliness, isolation, and unfulfilled longing, as if his subjects were existing in an urban and industrial world that was at once oppressive and indifferent.

Nighthawks is perhaps Hopper's most famous work and depicts a late-night diner with a few customers sitting alone or together at the counter, seemingly lost in thought.

The painting is noted for its use of light and dark contrasts, strong lines and geometric shapes, and the feeling of stillness and quietness, which all contribute to the sense of isolation and loneliness in a bustling city.

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The artist responsible for altering the course of avant-garde painting by returning to an intense visual scrutiny of the world around them is Edouard Manet. Edouard Manet was a French painter who played a crucial role in the transition from realism to impressionism.

Manets rejection of traditional academic techniques and his focus on depicting modern life and social issues through realistic observation had a profound impact on the development of modern art. His work challenged the conventional notions of beauty and art and paved the way for other avant-garde artists to experiment with new styles and techniques.

Manets influence can be seen in the work of later artists such as the Impressionists and Post-Impressionists, who continued to push the boundaries of traditional art. Manets innovative approach to painting, which included the use of bold brushstrokes, a focus on everyday subject matter, and an emphasis on the immediate visual experience, inspired many other artists to follow his lead, thereby altering the course of avant-garde painting.

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"You Naughty, Naughty Men" was a popular and entertaining song in "The Black Crook," which helped establish the importance of music and dance in early American musical theater, and is remembered as a classic example of the birth of the modern musical.

"The Black Crook" was a theatrical production that premiered in New York City in 1866. It is widely considered to be the first American musical, combining elements of dance, music, and drama. The show was known for its elaborate sets and costumes, as well as its use of spectacle to captivate audiences.

The show-stopping song that was meant to be sung during the scenery change was called "You Naughty, Naughty Men." It was a lively and comedic number that featured the show's leading lady, Ada, singing and dancing with a group of male dancers dressed as demons. The song was meant to entertain the audience during the transition between scenes and to showcase the talents of the performers.

The song was one of the highlights of the show and was often cited as a reason for its success. It's catchy tune and humorous lyrics made it a crowd favorite, and it helped to establish the importance of music and dance in musical theater. Today, "You Naughty, Naughty Men" is remembered as a classic example of early American musical theater and the birth of the modern musical.

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Sondheim is known for exploring complex and often darker themes in his musicals.

His works, such as "Company," "Follies," and "Sweeney Todd," examine the struggles of urban life, the challenges of building meaningful relationships, and the contradictions inherent in American values. His musicals often feature flawed and complex characters, and his music and lyrics are known for their depth and complexity.

Stephen Sondheim is a renowned composer and lyricist who is known for creating complex and thought-provoking musicals that deviate from the traditional upbeat and lighthearted approach.

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An angular acceleration is at its lowest value when an item is in simple harmonic motion and its displacement from equilibrium is zero.

The Simple Harmonic Motion is an iterative back-and-forth motion through a central position or equilibrium where the maximum displacement on one side of this location is equal to the maximum displacement on the other side.

The period of every vibration is the same throughout. just kinetic. In S.H.M., the particle's velocity is greatest and displacement is smallest at the mean location, which is x=0. When an item is moving at its maximum speed in a simple harmonic motion, there is no acceleration. Maximum acceleration in SHM is equivalent to maximum mass displacement.

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The music for the film Altered States was composed by John Corigliano, an American composer who is known for his work in film, opera, and orchestral music.

Corigliano has won numerous awards and accolades throughout his career, including a Pulitzer Prize for his Symphony No. 2 and an Academy Award for his score for the film The Red Violin.

For Altered States, Corigliano created a unique and experimental score that complemented the film's psychedelic and mind-bending themes. He used a combination of orchestral instruments, synthesizers, and electronic effects to create a sound that was both unsettling and otherworldly.

The score is often cited as one of Corigliano's most innovative works, and it played a key role in establishing the film's surreal and hallucinatory atmosphere. John Corigliano's music for Altered States helped to elevate the film's themes and visuals, and it remains a standout element of the movie to this day.

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The first and third movement (s) in a Baroque concerto is/were set to a fast tempo. Here option D is the correct answer.

In a Baroque concerto, which is a musical composition typically composed of three movements, the first and third movements were usually set in a fast tempo, while the middle movement was slower.

The first movement, known as the "allegro," is typically the most energetic and fast-paced movement in a concerto. It often features virtuosic solos from the soloist(s) and a lively interplay between the soloist(s) and the orchestra.

The middle movement, on the other hand, is usually slower and more introspective in nature. It is often in a contrasting key and provides a moment of rest and reflection before the final movement.

The final movement, known as the "presto" or "allegro," is similar in tempo and energy to the first movement. It often features a return to the themes and motifs introduced in the first movement and brings the concerto to a thrilling conclusion.

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Prelude à "L'après-midi d'un faune" was created to appeal to the listener's sensual and emotional imagination, whereas "The Moldau" was written to appeal to Bohemian nationalism.

"The Moldau" and Prélude à "L'après-midi d'un faune" are two influential musical works that represent different cultural and artistic contexts. "The Moldau" is a symphonic poem by Bedřich Smetana, composed in 1874 as part of a larger cycle of six symphonic poems called Má vlast (My Homeland).

The piece tells the story of the Vltava (Moldau) river, which flows through Bohemia, and its importance to the Czech people. Smetana aimed to evoke a sense of national pride and identity in his audience through his musical depiction of the river's beauty, history, and cultural significance.

On the other hand, Prélude à "L'après-midi d'un faune" was composed by Claude Debussy in 1894, and it was inspired by the symbolist poetry of Stéphane Mallarmé. The piece is a musical representation of the sensual and dreamlike world of a faun, a half-human, half-goat creature from Greek mythology. Debussy aimed to appeal to the listener's emotions and imagination through his innovative use of harmony, melody, and orchestration, creating a vivid and sensuous musical landscape that explores the boundaries of tonality and form.

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Luis Miguel Valdez, an American dramatist, screenwriter, director, and actor, was born on June 26, 1940. The play Zoot Suit, the film La Bamba, and the founding of El Teatro Campesino are among Valdez's most well-known works. He is regarded as the father of Chicano film and playwriting.

El Teatro Campesino and its founder and creative director, Luis Valdez, have established the benchmark for Latino theatrical performance in the United States since the organization's foundation.

One of the most significant and prominent playwrights in America today is LUIS VALDEZ (playwright/director). Luis Valdez, a Chicano who was one of ten children of farmworkers who followed the crops for a living, made the events of the period stand out starting in 1965.

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Mendelssohn sets the mood of the royal hunting party through a combination of techniques.

He begins with a fanfare in the brass to create a sense of grandeur and excitement. Then, he shifts to triple meter, which gives the music a more lively and rhythmic feel. Additionally, he uses a fortissimo statement by the woodwinds to add energy and power to the music. Finally, he includes a lyrical violin melody to balance out the strong brass and woodwind sections, creating a more nuanced and complex mood overall.

It is unclear which specific piece by Mendelssohn is being referred to, as Mendelssohn composed several pieces related to hunting parties. However, in general, Mendelssohn often used a combination of techniques to set the mood of his compositions, including the use of fanfare in the brass, shifts in meter, and fortissimo statements by the woodwinds. Additionally, he sometimes used lyrical violin melodies to provide a contrast to the more energetic sections. Ultimately, the specific techniques used to set the mood of the royal hunting party in a Mendelssohn composition would depend on the individual piece and the composer's intent.

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The aspect of motion pictures that sets them apart from other forms of artistic expression, such as painting or music, is that they are time-based.

Unlike static forms of art, motion pictures have a temporal dimension that allows for the creation of a narrative and the manipulation of time and space. They are able to reflect an artist's vision of the world, but they also require expensive tools to make, and they are fundamentally made by machines of mass reproduction.

One aspect of motion pictures that sets them apart from other forms of artistic expression is that they are time-based. This means that motion pictures unfold over a specific duration and involve the element of time, unlike paintings or music which can be experienced more freely by the viewer or listener.

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The statement "The Almighty has His own purposes" is an example of Lincoln's use of rhetorical appeal to ethos. Here option A is the correct answer.

Ethos is a persuasive technique that appeals to the credibility and character of the speaker. In this case, Lincoln is suggesting that he is merely a vessel for the will of a higher power, positioning himself as a humble and faithful servant of God.

This appeal to ethos is effective because it resonates with the deeply held religious beliefs of many Americans during Lincoln's time. It also helps to establish Lincoln as a leader who is guided by a higher moral authority, which can increase his credibility and influence.

Furthermore, Lincoln's use of ethos is not limited to this statement alone. Throughout his speeches and writings, he often appealed to his own character and moral authority, as well as to the values and beliefs of his audience, to persuade and inspire them. This was a key aspect of his rhetorical style and played a significant role in his success as a communicator and leader.

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Complete question:

The Almighty has His own purposes. Which statement best describes Lincoln's use of rhetorical appeal?

A. Ethos

B. Logos

C. Pathos

D. Alliteration