The drawings that show what an advertisement will look like and from which the final artwork will be produced are known as?

Answers

Answer 1

C. Layouts are drawings that show what the print advertising will look like and from which the final artwork will be produced.

Advertising is the practice and strategies used to draw attention to a product or service. Advertising attempts to bring attention to a product or service by putting it in the limelight. It is often intended to promote a certain commodity or service, although it has a wide range of applications, the most prevalent being commercial advertising.

Commercial advertising frequently strives to boost consumption of their products or services by "branding," which equates a product name or image with particular traits in the minds of consumers. Direct-response advertising, on the other hand, is used to encourage an instant sale. Political parties, interest groups, and religious organizations are examples of non-commercial enterprises that market more than consumer goods or services.

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correct question is:

_____ are drawings that show what the print advertising will look like and from which the final artwork will be produced.

A. Creative briefs

B. Pack shots

C. Layouts

D. Art infusions


Related Questions

how are easel paintings different from frescoes or murals? multiple choice question. round portable rare stationary

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Easel paintings are round, portable, and rare, while frescoes and murals are stationary.

Easel paintings are different from frescoes or murals in several ways:

Stationary vs. Portable: Easel paintings are designed to be portable and can be easily moved around or displayed on an easel. In contrast, frescoes and murals are stationary artworks that are typically painted directly onto walls or ceilings.Size and Shape: Easel paintings can vary in size and shape, but they are often rectangular or square. On the other hand, frescoes and murals are usually larger in scale and are adapted to fit the architectural space they are painted on.Technique: Easel paintings are created using various techniques, such as oil, acrylic, or watercolor, on a canvas or board. Frescoes are made by painting on wet plaster, allowing the pigments to bond with the surface as it dries. Murals can be painted directly on walls or created using other materials like tiles or mosaic.Rarity: Easel paintings are relatively rare and often considered individual works of art. Frescoes and murals, on the other hand, can be found in historical buildings, churches, or public spaces, serving decorative or narrative purposes.

In summary, easel paintings differ from frescoes and murals in terms of portability, size and shape, technique, and rarity.

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A realistic painting of a still life of flowers on a dark background. what form of art is this an example of? where is this artist from?

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Painting is an example of realistic art. The artist is from the Netherlands, which influenced his flower portrayal in the painting.

What is realistic art?

Realistic art, also known as realism, refers to a style of visual art that strives to portray subjects accurately and with a high level of detail, resembling the way they appear in reality. Artists working in the realistic style often focus on achieving a faithful representation of the physical appearance of objects, people, or scenes. Here are some key elements commonly used in realistic art:

1. Form

Realistic art emphasizes the accurate depiction of three-dimensional form. Artists pay close attention to the proportions, volume, and structure of objects or figures to create a convincing sense of depth and dimensionality.

2. Light and Shadow

Realistic art utilizes light and shadow to convey a sense of depth, volume, and realism. Artists carefully observe how light interacts with objects, determining highlights, mid-tones, and shadows to create a convincing illusion of form and space.

3. Detail and Texture

Realistic art often involves meticulous attention to detail, capturing the texture, surface qualities, and intricacies of the subject matter. Artists may employ techniques such as precise brushwork, fine lines, or layering to recreate textures realistically, whether it's the smoothness of skin, the roughness of a tree bark, or the delicate petals of a flower.

4. Color and Value

Realistic art explores the accurate portrayal of color and value relationships. Artists observe and replicate the subtle variations in color, tone, and hue to create a lifelike representation. They pay attention to the play of light and shadow to determine the values and contrasts that contribute to the illusion of depth and realism.

5. Composition

The arrangement and organization of the elements within the artwork to create a visually pleasing and balanced composition, directing the viewer's attention and enhancing the overall impact.

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Find at least three definitions for the word "craft" in a dictionary. For each definition, select a work from the chapter, the videos and / or the video series Craft in America that you feel illustrates the definition. Discuss what you can learn about other cultures or our own culture from the work that culture produces? How does the work of the artists in the Craft in America video show their cultural background? How do artists update traditional craft media?

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Definition 1: Skill in making things using your hands According to the Merriam-Webster dictionary, craft is defined as skill in making things using your hands. An example of this would be the work of Steve Sinner who is a furniture maker. Steve Sinner's furniture pieces illustrate this definition because of the intricate details, patterns and designs that he carefully creates through his hands. .

Definition 2: A job or activity that involves making things using your handsA second definition of craft, according to the Merriam-Webster dictionary is a job or activity that involves making things using your hands. An example of this would be the work of Navajo rug weavers featured in the Craft in America video series.

Definition 3: An object that has been made skillfully According to the Oxford Learner's Dictionaries, craft is defined as an object that has been made skillfully. An example of this would be the work of glass artist, Mark Peiser. Peiser's glass pieces showcase his craftsmanship, technical skill, and innovation.

He creates one-of-a-kind pieces using traditional glassblowing techniques, but he also experiments with new forms and shapes. Mark Peiser's works showcase his cultural background, but they also highlight his innovative techniques for manipulating glass.

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The twelve symphonies written for the concert manager j. p. salomon for performance at his public concerts are also known as the __________ symphonies, for the city in which they were first.

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The twelve symphonies were written for the concert manager J. P. Salomon for performances at his public concerts and are also known as the London symphonies, for the city in which they were first performed.

Around the 1700s, the Alessandro Scarlatti-founded Neopolitan School of Music in Italy began to produce symphonies as overtures for operas. Joseph Haydn wrote the London Symphonies between 1791 and 1795. They are sometimes known as the Salomon symphonies after Johann Peter Salomon, who introduced Joseph Haydn to London. Twelve of his numerous symphonies, known as the "London" symphonies, were created between 1781 and 1795 and were either written for or during the composer's two visits to the English metropolis.  Although full maturity wouldn't arrive until much later, Haydn abundantly demonstrated both his dependable freshness of musical ideas as well as his customary good humor and wit.

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what type of drawing medium is most likely to produce a line that swells in the middle, but tapers at both ends?

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The drawing medium that is most likely to produce a line that swells in the middle but tapers at both ends is a brush pen or a brush with ink.

This type of medium allows for a dynamic range of line thickness, which can be achieved by adjusting the pressure applied while drawing. By exerting more pressure in the middle of the stroke and gradually releasing it towards the ends, the line will naturally swell in the middle and taper at both ends. This technique is often used in traditional calligraphy and brush painting styles to create expressive and varied lines. The flexible bristles of the brush pen or brush allow for this unique effect, making it the preferred medium for achieving such line qualities.

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how did the artist create unity in this artwork? choose all answers that are correct. the forms are painted a single color. the forms are painted a single color. there are many different shapes and textures. there are many different shapes and textures. the forms are organized inside repeating rectangular boxes. the forms are organized inside repeating rectangular boxes. a variety of materials were used to create the forms. a variety of materials were used to create the forms.

Answers

Artist creates unity in this artwork A. The shapes are arranged in rectangular boxes that repeat. And C. The shapes are all painted the same color.

For thousands and thousands of years, art has been a component of human culture in some form or another. It acts as a vehicle for both the artist's own personal expression and for sharing with others his or her perception of reality.

Art may also represent cultural trends from a particular era, and the majority of works of art do at least partially reflect the cultural values and viewpoints of the period in which they were produced. A crucial factor for the artist, who should pick a medium that will effectively convey his objective, is the fact that art may appear in a wide range of mediums.

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Correct question is:

How did the artist create unity in this artwork?

Choose all answers that are correct.

A. The forms are organized inside repeating rectangular boxes.

B. A variety of materials were used to create the forms.

C. The forms are painted a single color.

D. There are many different shapes and textures.

who inducted carly simon into the rock and roll hall of fame

Answers

Answer:

rodrigo

Explanation:

( Fifteenth Century through the middle of the Twentieth Century,) What sort of effect did Humanism have on the type of art being produced during this period, What themes came to dominate art during this period? What aesthetic qualities of the Northern Renaissance were passed onto the Italian/European Renaissance?

Answers

Humanism had a significant effect on the art produced during the period from the Fifteenth Century through the middle of the Twentieth Century. The humanist approach centered on the human experience and the expression of human emotions, which influenced the themes and aesthetic qualities of art during this period.

Themes that came to dominate art during this period included religious subjects, landscapes, portraits, and still lifes. The religious subjects that were popular in the Middle Ages continued to be important during the Renaissance, but with a new focus on the human experience of religious subjects.

This focus led to the emergence of new themes, including secular subjects like mythology and history painting.The aesthetic qualities of the Northern Renaissance, such as realism, attention to detail, and naturalism, were passed on to the Italian/European Renaissance.

The Northern Renaissance was also known for its use of oil paint, which allowed for greater color intensity and subtlety in shading. This technique was soon adopted by artists in Italy and throughout Europe.

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In analyzing classrooms, researchers have identified classrooms as being multidimensional. which of the other dimensions of classrooms is most closely rated to this dimension?

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I would require more particular data almost the measurements of classrooms being alluded to within the setting of the inquire about. Classroom measurements can shift depending on the particular perspectives being considered by analysts.

In any case, in common, when examining the multidimensionality of classrooms, a few common measurements that analysts may look at incorporate:

Physical Environment: This measurement relates to the physical properties of the classroom, such as its format, seating courses of action, lighting, temperature, and in general plan. It centers on how the physical space impacts instructing and learning.

Social Environment: This measurement relates to the social intelligence and connections inside the classroom. It incorporates variables such as the elements between instructors and understudies, peer connections, classroom culture, and the general social climate.

Instructional Practices: This measurement alludes to the instructing procedures, strategies, and methods utilized by instructors inside the classroom. It includes angles such as guidelines conveyance, separation, criticism components, utilization of innovation, and educational programs plan.

Student Engagement: This measurement centres on the level of understudy inclusion, inspiration, and dynamic interest inside the classroom. It incorporates components such as understudy intrigue, mindfulness, eagerness to require on challenges, and in general engagement within the learning handle. 

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how did the artist create proportion in this artwork? large cylinders are placed on the edges. large cylinders are placed on the edges. vertical elements are next to horizontal elements. vertical elements are next to horizontal elements. larger shapes appear closer than smaller shapes. larger shapes appear closer than smaller shapes. all objects appear to be in the foreground.

Answers

The artist created proportion in this artwork by placing large cylinders on the edges, juxtaposing vertical and horizontal elements, and utilizing size relationships.

The craftsman made extent in this work of art by carrying out a few methods. Right off the bat, the situation of huge chambers on the edges lays out a feeling of equilibrium and extent inside the sythesis. The size of these chambers makes a visual anchor for the fine art, outlining the focal space and giving a feeling of solidness.

Also, the juxtaposition of vertical and level components adds to the general feeling of extent. By setting these differentiating components close to one another, the craftsman makes a unique strain that adds visual interest and balances the creation.

The utilization of size connections likewise assumes a part in making extent. The bigger shapes showing up nearer than more modest shapes follows the standard of lessening size with distance, making a feeling of profundity and spatial association.

This procedure lays out a visual order inside the fine art, directing the watcher's consideration and improving the general feeling of extent and viewpoint.

Finally, the idea that all items give off an impression of being in the forefront adds to a feeling of quickness and visual solidarity. This approach underlines the significance of every component inside the structure and supports the general extent and equilibrium of the work of art.

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f your friend is working with digital music and wants to record, compose, mix, and edit her music, what kind of software should she obtain for her computer? a. music adaptation software b. music mastering software c. music production software d. music synthesizing software

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To record, compose, mix, and edit digital music, your friend should obtain music production software for her computer. Music production software is specifically designed for these tasks and provides a range of tools and features to assist in the creation and manipulation of music. The correct answer is option C.

Music production software allows users to record audio, either through microphones or by connecting instruments directly to the computer. It also offers a wide variety of virtual instruments and synthesizers that can be used to create different sounds and melodies. Additionally, it provides tools for arranging and composing music, including the ability to layer different tracks, add effects, and adjust the volume and panning of individual elements.Furthermore, music production software enables users to mix their tracks by adjusting the levels, equalization, and effects of each instrument or voice. It also allows for precise editing, such as cutting, copying, and pasting sections of audio, as well as time-stretching and pitch-shifting. Therefore, the correct answer is option C.In summary, for recording, composing, mixing, and editing digital music, your friend should obtain music production software for her computer. This software provides the necessary tools and features to create professional-quality music.

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what genre is the garden

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Answer: punk

Explanation:

The band is known for their fast, punk-influenced two-piece bass and drum songs.

Answer: indie rock or punk music

Explanation: The Orange County duo have churned out six spunky, energetic albums, which are defined by their clear-cut penchant for angular chaos, tongue-in-cheek sense of humor, and complete disregard for genre.

Shiny, popular K-Pop female band composed a new song "All About You". The song was recorded in a studio and the copy of the sound recording of the song was first released to the public in South Korea on 1 January 2020. Shiny plans to visit Malaysia on 20 January 2020 and ask you if their song is qualified to be protected under Malaysian Copyright Act 1987.
The answer should have (Issue, Law, Application, Conclusion)

Answers

Issue: Does Shiny's song "All About You" qualify for protection under the Malaysian Copyright Act 1987?

Law: The Malaysian Copyright Act 1987 provides automatic protection for original works, including musical compositions.

Application: Shiny's song is an original work recorded in a studio and released publicly, making it eligible for protection.

Conclusion: Shiny's song "All About You" is qualified for protection under the Malaysian Copyright Act 1987.

Issue: The issue is whether Shiny's song "All About You" is qualified to be protected under the Malaysian Copyright Act 1987.

Law: The Malaysian Copyright Act 1987 provides legal protection for various forms of creative works, including musical works. Section 7(1) of the Act states that copyright protection arises automatically upon the creation of an original work, such as a song, and no registration is required for copyright to exist. Section 13(1) further elaborates that copyright includes the exclusive right to reproduce, distribute, and communicate the work to the public.

Application: In this case, Shiny's song "All About You" is an original musical work recorded in a studio. The song falls within the category of musical works protected under the Malaysian Copyright Act. The fact that it was first released in South Korea does not impact its eligibility for copyright protection in Malaysia, as copyright protection is recognized internationally through various international treaties and agreements.

Conclusion: Based on the Malaysian Copyright Act 1987, Shiny's song "All About You" is qualified to be protected under Malaysian copyright law. The song meets the requirements of being an original musical work, and no further registration or formalities are necessary for copyright protection in Malaysia.

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sister rosetta tharpe was inducted into the rock & roll hall of fame as an early influence. what year was she inducted?

Answers

Answer:

May of 2018

Explanation:

what are ways to create an asymmetrical composition? multiple select question. a simple form balanced with a complex form. similar visual texture on objects of the same size. smaller elements balanced with a large form. contrasting color values on the same size forms.

Answers

Ways to create an asymmetrical composition include a simple form balanced with a complex form and smaller elements balanced with a large form.

A simple form balanced with a complex form: By combining a visually straightforward or minimalistic element with a more intricate or detailed element, you can create a sense of balance and visual interest in the composition.Smaller elements balanced with a large form: Placing smaller objects or elements strategically within the composition alongside a larger dominant form can create an asymmetrical balance. The smaller elements act as counterpoints, adding visual weight and creating a dynamic composition.Contrasting color values on the same size forms: Utilizing contrasting color values on objects of similar size can create a visual imbalance that adds interest and tension to the composition. This can be achieved by incorporating light and dark areas, creating a sense of depth and contrast within the composition.

It's important to note that the option "similar visual texture on objects of the same size" does not contribute to creating an asymmetrical composition. Asymmetry is about creating a balance through the arrangement of different visual elements rather than relying on similar visual characteristics.

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Bessie Smith (St Louis Blues) Mamie Smith (Crazy Blues) Robert Johnson (Cross Road Blues) Son House (any of his recordings) B.B. King ( The thrill is gone) Muddy Water (Hoochie Coochie Man) Bonnie Raitt (Nick of Time) James Taylor (steamroller Blues) Keb Mo (Henry)

Write a short paragraph about each artist above and each selection (tell me what you liked about or discovered about each selection ) and then critique the composition and include the critique with your paragraphs

Answers

In this selection of blues and blues-influenced artists, each artist and their respective songs offer a unique and captivating experience. The compositions vary in style and execution, but they all share a common thread of emotional depth, raw talent.

Bessie Smith's performance of "St. Louis Blues" is a timeless classic that perfectly captures her extraordinary vocal talent and capacity to emote with intensity. Smith's passionate voice and the song's melancholy tune combine to leave the listener with an eerie feeling.

As the first blues recording by an African-American performer, Mamie Smith's "Crazy Blues" is acknowledged as a crucial turning point in blues history. Smith's emotive voice and the song's lyrics convey a sense of desire and sadness that gives expression to the African-American experience at the time.

The masterpiece "Cross Road Blues" by Robert Johnson displays both his extraordinary guitar playing and intriguing narration. Johnson's expert fingerpicking and the song's ominous lyrics fascinate listeners, who are also enthralled by his talent and the mystery surrounding him.

Son House, who is renowned for his passionate and emotionally driven performances, infuses his records with a raw and forceful energy. In songs like "Death Letter" and "Grinnin' in Your Face," House's voice reverberates with intense emotion as he sings of his challenges and struggles.

The bluesy and melancholy song "The Thrill Is Gone" by B.B. King features his flawless guitar playing and moving vocals. King's ability to imbue each note with emotion and the song's wistful lyrics set it apart from the rest of his discography.

The charismatic blues hymn "Hoochie Coochie Man" by Muddy Waters has a hypnotic rhythm and is a swaggering blues anthem. The song's addictive groove and Waters' strong vocals combine to make an alluring energy that enthralls listeners from beginning to end.

"Nick of Time" by Bonnie Raitt is a touching and reflective song that combines sincere lyrics with her distinctive slide guitar technique. It stands out in Raitt's discography due to the song's theme of facing mortality and the sensitivity it conveys via her beautiful vocals.

James Taylor's "Steamroller Blues" introduces the blues genre to his calming voice and folk sensibility. The song's infectious beat and Taylor's expressive delivery combine to provide an engaging and appealing mix of styles.

Keb Mo's "Henry" is a contemporary blues song that highlights his superb guitar playing and sweet vocals. The song's modern sound and approachable lyrics give the blues heritage a new spin, showcasing Keb Mo's ability to give the genre a personal touch.

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What would be the textural class for the followings: a. Sand 95% b. Sand 20% silt 70% and Clay 10% C. Sand 10% silt 30% and clay 60%

Answers

The textural class of a soil is determined by the proportions of sand, silt, and clay present in the soil. Based on the given compositions, the textural classes would be as follows:

a. Sand 95%: The soil would be classified as "sandy" since it predominantly consists of sand particles.

b. Sand 20%, Silt 70%, and Clay 10%: The soil would be classified as "silty loam" since it has a significant proportion of silt, along with sand and clay.

c. Sand 10%, Silt 30%, and Clay 60%: The soil would be classified as "clay loam" since it has a higher proportion of clay, along with sand and silt.

Please note that the textural class descriptions are general and may vary depending on the specific classification system used.

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Which excerpt is an example of a lai, or variation of a virelai, by guillaume de machaut?

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The accurate answer is alternative C) "Rose, Liz, Printemps, verdure" by means of Guillaume de Machaut.

This excerpt is an example of a lai or a version of a virelai composed by using Machaut. A lai is a poetic and musical shape famous inside the medieval length, characterized with the aid of its specific shape and rhyme scheme.

Guillaume de Machaut, a prominent French composer, and poet of the 14th century, become regarded for his contributions to numerous musical paperwork, which includes lais and virelais. "Rose, Liz, Printemps, verdure" showcases Machaut's mastery of those forms, providing the complicated musical patterns and poetic imagery commonly related to his compositions.

"Rose, Liz, Printemps, verdure" through Guillaume de Machaut is a lai, a poetic and musical shape, showcasing his mastery of complex patterns and imagery.

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The correct question is:

"Which excerpt is an example of a lai, or variation of a virelai, by Guillaume de Machaut?

A) "Ma fin est mon commencement" - Guillaume de Machaut

B) "La Messe de Nostre Dame" - Guillaume de Machaut

C) "Rose, liz, printemps, verdure" - Guillaume de Machaut

D) "Dou mal qui m'a longuement" - Guillaume de Machaut"

what is the relationship between painters and calligraphers? give your own opinions from your own understanding of the class and from the documentary.

Answers

The relationship between painters and calligraphers is a complex and interconnected one, blending artistic expression, technique, and cultural heritage.

In my understanding of the topic and from general knowledge, as well as potential insights from documentaries, I can provide some opinions on this relationship. Traditionally, both painters and calligraphers hold significant roles in East Asian art forms, particularly in countries like China, Japan, and Korea.

Calligraphy is considered one of the highest art forms in these cultures, emphasizing the beauty of writing and the mastery of brushwork. Painters, on the other hand, explore various subject matters and express their creativity through visual representation. There is a mutual influence and exchange of ideas between painters and calligraphers.

Calligraphy, with its emphasis on brushwork and ink techniques, has a direct impact on the brushwork and ink wash techniques employed by painters. The precise control, rhythm, and flow developed through calligraphy can enhance the artistic expression of painters. Conversely, painters can inspire calligraphers through their use of composition, color, and depiction of subject matter, challenging calligraphers to explore new styles and techniques.

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Film noir is a clearly defined genre and not a visual style. is this statement true or false?

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The statement is false. Film noir is not only a clearly defined genre but also encompasses a distinct visual style.

What is the explanation of the answer above?

Film noir emerged as a genre of films primarily in the 1940s and 1950s, characterized by its dark, cynical, and often pessimistic themes. It typically features crime, mystery, and elements of suspense, with morally ambiguous characters and intricate narratives. Here are some additional details about the visual style of film noir:

1. Low-key Lighting

Film noir extensively uses low-key lighting, which means that scenes are often illuminated with a minimal amount of light. This technique creates a stark contrast between light and shadow, emphasizing the dark and brooding aspects of the narrative. Shadows play a significant role in film noir, often concealing or partially revealing key elements and characters.

2. Chiaroscuro

Chiaroscuro refers to the strong contrast between light and dark areas within a frame. Film noir employs this technique to heighten the dramatic impact of specific scenes. The interplay between light and shadow adds depth and texture to the visuals, creating a visually striking composition.

3. Venetian Blinds

Venetian blinds are a recurring visual motif in film noir. The blinds cast distinct shadows across characters and settings, further emphasizing the genre's association with mystery and suspense. The iconic image of light streaming through the blinds onto a character's face has become a classic symbol of film noir.

4. Dutch Angles

Film noir often incorporates dutch angles or tilted camera angles to create a sense of unease or disorientation. These tilted shots add to the visual tension and psychological instability found in many noir narratives.

5. Urban Landscapes

Film noir frequently utilizes urban environments, with their gritty streets, dark alleyways, and towering buildings, as a backdrop for the stories. The contrast between light and shadow is heightened in these settings, emphasizing the foreboding and oppressive nature of the city.

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which of the following typically carries the most visual weight in an artwork? which of the following typically carries the most visual weight in an artwork? warm colors translucent colors simple shapes cool colors

Answers

Warm colors typically carry the most visual weight in an artwork, followed by simple shapes. However, the specific visual weight of elements in an artwork can vary depending on the artist's intention and the overall composition.

In an artwork, the element that typically carries the most visual weight depends on various factors such as composition, color, and shape. Generally, warm colors tend to attract more attention compared to cool colors. Warm colors like red, orange, and yellow are visually vibrant and energetic, making them visually heavier. On the other hand, cool colors like blue, green, and purple are visually soothing and tend to recede into the background, carrying less visual weight.Translucent colors, due to their ability to allow light to pass through, can create a sense of depth and transparency. While they may not carry as much visual weight as warm colors, they can still attract attention based on how they are used in the artwork.Simple shapes can also carry visual weight, especially if they are large or placed strategically within the composition. Their simplicity can draw focus and create a sense of stability or dominance in the artwork.

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how do the underlined words emphasize the author’s ideas? the words’ neutral connotations indicate that women create better work when they remain anonymous. the words’ negative connotations indicate that the work of women artists tends to be overly emotional. the words’ positive connotations indicate that women’s artistic talent is greater than men’s talent. the words’ positive connotations emphasize the beauty and skill in the work of a particular female artist.

Answers

The underlined words in the given options emphasize the author's ideas by invoking specific connotations that shape the perception of women artists and their work.

In the first option, the neutral connotations of the words suggest that women create better work when they remain anonymous. By using neutral language, the author implies objectivity and avoids attributing any positive or negative biases to women's work.

In the second option, the negative connotations of the words imply that the work of women artists tends to be overly emotional. This choice of words introduces a bias and suggests that the emotional aspect of their work may be seen as a weakness or flaw.

In the third option, the positive connotations of the words indicate that women's artistic talent is greater than men's talent. Here, the author emphasizes the superiority of women's artistic abilities, promoting a positive view of their work.

In the fourth option, the positive connotations of the words highlight the beauty and skill in the work of a specific female artist. By using positive language, the author draws attention to the exceptional qualities and craftsmanship of the artist's work.

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Color should be used as much as possible.

True or False

2. All data is equally important and needs audience attention.

True or False

3.The concept of visual affordances includes: 1) eliminating distractions 2)highlighting the important stuff and 3) creating a clear hierarchy of information.

True or False

4. Form follows function means thinking about the visualization before thinking about what the audience will do with the data.

True or False

5. Bolding is preferred over underlining because it adds less noise to the design.

True or False

6. The concept of accessible designs simply means a design shall consider those with learning disabilities.

True or False

7. Choose simple language over complex, specialized terminology or acronyms.

True or False

8. Every chart needs a title but every axis does NOT need a title.

True or False

explain and answer all the questions thanks

Answers

1. False. Although color can be a powerful tool in visualizations, it should be used thoughtfully and purposefully, not excessively. Overuse of color can be distracting and make it difficult for viewers to understand the information being presented.

2. False. Not all data is equally important. When creating a visualization, it's important to identify the key messages and focus on those, rather than overwhelming the audience with every piece of data available.

3. True. Visual affordances are design elements that provide cues to users about how to interact with the visualization and what information is most important. Eliminating distractions, highlighting important information, and creating a clear hierarchy are all important components of visual affordances.

4. False. "Form follows function" means that the design should be driven by its intended purpose and function, not the other way around. The visualization should be designed with the audience and their needs in mind.

5. True. Bolding is a less visually intrusive way to emphasize text than underlining. Underlining can create visual noise and make the text harder to read.

6. False. Accessible design means designing visualizations that can be understood and used by as many people as possible, including those with disabilities. This includes considerations such as color contrast, font size, and alternative text for images.

7. True. Simple language is more likely to be understood by a wider audience, and can also help reduce cognitive load. Avoiding complex terminology and acronyms can make the visualization more accessible to people who may not be familiar with those terms.

8. False. Every chart should have a title and every axis should be labeled clearly. This helps viewers understand what the chart is showing and what the data means.

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An analysis of characteristics, such as brush stroke and palette, can help determine the _____ of a work. group of answer choices style contrast placement composition

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An analysis of characteristics like brush stroke and palette can help determine the style of a work.

An examination of qualities, for example, brush stroke and range can assist with deciding the style of a work. The style alludes to the unmistakable imaginative way or move toward utilized by a craftsman, which is frequently conspicuous and intelligent of their individual creative articulation or a particular creative development.

Brush stroke alludes to the apparent checks left by the craftsman's brush on the outer layer of the fine art. Various specialists utilize shifting brushwork methods, like fast and free strokes, exact and controlled application, or expressive and finished marks.

The brush stroke style can give knowledge into the craftsman's goal, level of detail, and generally speaking tasteful.

Range alludes to the scope of varieties utilized in a show-stopper. Craftsmen pursue intentional decisions while choosing and joining tones to make a particular state of mind, bring out feelings, or convey meaning.

The variety range can be dynamic or muffled, amicable or differentiating, warm or cool, and can contribute fundamentally to the in general visual effect of the work of art.

By breaking down the brush stroke and range, craftsmanship students of history, pundits, and watchers can frequently distinguish the creative style related with a specific work.

These qualities give hints about the craftsman's method, impacts, and imaginative decisions, taking into consideration a more profound comprehension and enthusiasm for the work of art and its place inside the more extensive setting of craftsmanship history.

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atkins, e. t. (2007). the dual career of "arirang": the korean resistance anthem that became a japanese pop hit. the journal of asian studies, 66(3), 645–687.

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True, Atkins, e. T. (2007). the dual career of "Arirang": the Korean resistance anthem that became a Japanese pop hit.

The iconic Korean folk song "Arirang" is well-known throughout the world. Its supposed contribution to bolstering contemporary Korean will oppose the cultural atrocities of the Japanese colonial occupation (1905–45) is the source of its iconic stature in that country. Some "Arirangs" directly attacked the Japanese and were therefore forbidden by colonial authorities. They were a musical "skeleton" that could be transformed into infinite spontaneous versions and interpretations. However, Japanese songwriters, singers, and record labels issued a prodigious amount of "Arirang" interpretations in the 1930s and 1940s, often in partnership with Korean performers, right at the time when assimilationist efforts in colonial Korea were rising. The song "Arirang" rose to become the most well-known in the Japanese empire.

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Complete question:

Atkins, e. t. (2007). the dual career of "Arirang": the Korean resistance anthem that became a Japanese pop hit. the journal of Asian studies, 66(3), 645–687. Ture/False.

which major orchestral work calls for large bells depicting church bells/chimes and a battery of cannons in the musical score that is used across the united states for concerts celebrating the fourth of july?

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The major orchestral work that calls for large bells depicting church bells/chimes and a battery of cannons in the musical score used across the United States for concerts celebrating the Fourth of July is "1812 Overture" by Pyotr Ilyich Tchaikovsky.

The "1812 Overture" was composed by Tchaikovsky in 1880 to commemorate the Russian victory over Napoleon's forces in the War of 1812. It is a grand orchestral piece that lasts approximately 15 minutes and is often performed as a celebratory finale during Fourth of July concerts in the United States.

In the score, Tchaikovsky specifically notates the use of large bells to imitate church bells and chimes, creating a majestic and festive atmosphere. These bells are typically played by percussionists using various instruments such as tubular bells, chimes, or even actual church bells if available.

Additionally, the "1812 Overture" features a dramatic section known as the "Battle" or "Cannon" section. During this segment, a battery of cannons is fired as part of the performance, adding a powerful and thunderous effect to the music. These cannon shots, which symbolize the conflict and military events of the war, are often recreated using specially designed cannons or other pyrotechnic effects during live performances.

The combination of the bells and cannons in the score of the "1812 Overture" adds a dynamic and immersive element to the music, enhancing the celebratory and patriotic nature of the composition. It has become a traditional choice for Fourth of July concerts in the United States, as it captures the spirit and excitement of national celebrations.

It is worth noting that while the use of cannons and bells is prominent in the score, performances of the "1812 Overture" during Fourth of July concerts may vary in their inclusion of cannons due to safety regulations and logistical considerations.

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In brief two or three sentences, consider how a genre/piece of music familiar to you differs in its "uses" from its "function".

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In examining the differences between the "uses" and "function" of a familiar genre or piece of music, let's consider the example of classical music, specifically Beethoven's Symphony No. 5.

The "uses" of this piece refer to how individuals engage with it in their personal lives. For many, classical music serves as a source of relaxation, entertainment, and personal enjoyment.

On the other hand, the "function" of Beethoven's Symphony No. 5 pertains to its original purpose and the broader societal context in which it was composed. Written during the classical era, this symphony reflects the style, conventions, and artistic aspirations of the time. Its function was to be performed in concert halls, enjoyed by audiences, and demonstrate the technical prowess of the composer and musicians.

In summary, the "uses" of Beethoven's Symphony No. 5 encompass personal enjoyment, relaxation, and inspiration, while its "function" pertains to its original purpose as a composition within the classical music tradition, showcasing artistic excellence, and potentially serving cultural and societal roles.

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page(s) 26–27 0.5. art and creativity the controversial nature of a lawsuit and trial associated with this artwork inspired artists to create works that do not need to be readily understood nor appreciated by viewers.

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The controversial lawsuit and trial associated with the artwork inspired artists to create works not readily understood or appreciated.

The claim and preliminary encompassing a specific craftsmanship have started debate, driving a few specialists to make works that focus on non-coherence and non-appreciation by watchers. This reaction mirrors a change in creative viewpoint, testing the customary thought that workmanship should be promptly perceived or appreciated.

By purposely making works that challenge simple understanding, these specialists embrace vagueness, empowering watchers to address assumptions and participate in abstract translations.

Such works of art frequently utilize unique or applied components, unusual procedures, or emblematic portrayals that oppose direct appreciation. The point is to incite thought, challenge laid out standards, and urge watchers to investigate their own close to home reactions and scholarly translations.

This approach celebrates creative liberty and supports a more profound commitment with the innovative flow, encouraging individual associations and special encounters. In this unique circumstance, workmanship turns into a stage for scholarly talk, self-reflection, and pushing the limits of imaginative articulation.

By embracing non-clarity and non-appreciation, specialists endeavor to upset regular assumptions, empowering watchers to effectively partake in the translation of their work, accordingly stressing the subjectivity and variety of creative experience.

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what is suggested by the decorative frescoes found at akrotiri, in the cyclades, and in minoan palaces on crete?

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The decorative frescoes found at Akrotiri in the Cyclades and in Minoan palaces on Crete suggest several aspects about the societies that produced them.

These vibrant and well-preserved frescoes provide valuable insights into the artistic, cultural, and societal practices of the time.

Artistic Sophistication: The frescoes reveal a high level of artistic skill and technical proficiency.

They display meticulous attention to detail, vibrant colors, and complex compositions, showcasing the artistic sophistication achieved by these ancient civilizations.

Aesthetic Sensibilities: The frescoes suggest a refined sense of aesthetics and a preference for decorative and visually appealing artwork.

The motifs and designs often depict nature, animals, plants, and human figures, often in graceful and dynamic poses.

Prosperity and Wealth: The presence of intricate and elaborate frescoes in public and private spaces, such as palaces and wealthy households, indicates a level of prosperity and wealth within these societies.

The investment in such artistic creations suggests the availability of resources and a desire to showcase opulence and cultural achievements.

Ritual and Symbolism: Many of the frescoes contain symbolic elements and scenes that hint at the religious or ritualistic practices of these ancient cultures.

Depictions of religious ceremonies, mythical creatures, and sacred symbols suggest a connection between art, spirituality, and religious beliefs.

Narrative and Storytelling: Some frescoes depict narrative scenes, suggesting a tradition of storytelling and visual narrative in these ancient cultures.

These visual narratives may have served educational, religious, or cultural purposes, conveying myths, legends, or historical events.

Influences and Exchange: The frescoes exhibit influences from various cultural and artistic traditions, indicating a level of contact and exchange with other civilizations.

Elements from Egypt, Mesopotamia, and the Eastern Mediterranean can be observed in the frescoes, highlighting the interconnectedness of ancient societies.

Overall, the decorative frescoes found at Akrotiri and Minoan palaces suggest a flourishing artistic culture, prosperity, religious and ritualistic practices, and influences from neighboring civilizations.

They offer glimpses into the visual language, aesthetics, and social dynamics of these ancient societies, providing valuable clues for understanding their history and cultural development.

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The decorative frescoes found at Akrotiri in the Cyclades and in Minoan palaces on Crete suggest several aspects about the societies that produced them.

These vibrant and well-preserved frescoes provide valuable insights into the artistic, cultural, and societal practices of the time.

Artistic Sophistication: The frescoes reveal a high level of artistic skill and technical proficiency.

They display meticulous attention to detail, vibrant colors, and complex compositions, showcasing the artistic sophistication achieved by these ancient civilizations.

Aesthetic Sensibilities: The frescoes suggest a refined sense of aesthetics and a preference for decorative and visually appealing artwork.

The motifs and designs often depict nature, animals, plants, and human figures, often in graceful and dynamic poses.

Prosperity and Wealth: The presence of intricate and elaborate frescoes in public and private spaces, such as palaces and wealthy households, indicates a level of prosperity and wealth within these societies.

The investment in such artistic creations suggests the availability of resources and a desire to showcase opulence and cultural achievements.

Ritual and Symbolism: Many of the frescoes contain symbolic elements and scenes that hint at the religious or ritualistic practices of these ancient cultures.

Depictions of religious ceremonies, mythical creatures, and sacred symbols suggest a connection between art, spirituality, and religious beliefs.

Narrative and Storytelling: Some frescoes depict narrative scenes, suggesting a tradition of storytelling and visual narrative in these ancient cultures.

These visual narratives may have served educational, religious, or cultural purposes, conveying myths, legends, or historical events.

Influences and Exchange: The frescoes exhibit influences from various cultural and artistic traditions, indicating a level of contact and exchange with other civilizations.

Elements from Egypt, Mesopotamia, and the Eastern Mediterranean can be observed in the frescoes, highlighting the interconnectedness of ancient societies.

Overall, the decorative frescoes found at Akrotiri and Minoan palaces suggest a flourishing artistic culture, prosperity, religious and ritualistic practices, and influences from neighboring civilizations.

They offer glimpses into the visual language, aesthetics, and social dynamics of these ancient societies, providing valuable clues for understanding their history and cultural development.

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Stella is tired of her sewing machine continually breaking down. The threading mechanism takes her significant time to fix every time and sometimes causes tears in the fabric so she has to start over. The current machine cost her mother $575 many years ago. A local repair shops says the machine can be maintained for $125 per year, which will allow it to be used heavily for three more years. A replacement sewing machine will make things more efficient and Stella will be able to make an additional 3 swimsuits per hour. A new industrial sewing machine costs $1,400 and Stella is unsure of how she would depreciate it. If she opens the store, she will need two sewing

Answers

The best option for Stella will depend on her budget and her needs. If she can afford it, buying two new industrial sewing machines would be the most efficient option.

How to solve

Stella can replace her sewing machines by either repairing her current machine for $125 per year for three more years, or buying two new industrial sewing machines for $1,400 each.

The depreciation of a sewing machine is typically 15% per year, so a new industrial sewing machine would depreciate by $210 per year.

Here are the two options in more detail:

Repair the current machine: This option would cost $125 per year for three years, for a total of $375. The machine would then be worth $0 after three years.

Buy two new industrial sewing machines: This option would cost $2,800 upfront. The machines would depreciate by $210 per year, for a total depreciation of $420 per year.

The best option for Stella will depend on her budget and her needs. If she can afford it, buying two new industrial sewing machines would be the most efficient option.

However, if she is on a tight budget, repairing her current machine may be the best option.

Here is a table summarizing the two options:

Option Cost Depreciation

Repair the current machine $375 $0

Buy two new industrial sewing machines $2,800 $420

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The Complete Question

Stella is tired of her sewing machine continually breaking down. The threading mechanism takes her significant time to fix every time and sometimes causes tears in the fabric so she has to start over. The current machine cost her mother $575 many years ago. A local repair shops says the machine can be maintained for $125 per year, which will allow it to be used heavily for three more years. A replacement sewing machine will make things more efficient and Stella will be able to make an additional 3 swimsuits per hour. A new industrial sewing machine costs $1,400 and Stella is unsure of how she would depreciate it. If she opens the store, she will need two sewing

How can she replace the sewing machines?

What is the sewing machine depreciation?

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