The reason why Pietro Lorenzetti's work represent a bridge between Gothic art and the Renaissance is that He respected characteristics of Gothic painting like the use of ornate detail and tales, but his figures displayed emotions, sensitivity, and humanity.
The period that had an influence in the work that he did was the Renaissance art in the Giotto period.
How was Pietro Lorenzetti influenced?Giotto, who was one of the founders of the Italian Renaissance, had a significant influence on him. As a Gothic painter, he valued elements like the use of ornamental detail and anecdotes, but his figures displayed emotions, tenderness, and humanity, and he handled perspective with remarkable skill, which are traits of Renaissance art. As a result, his work serves as a bridge between the two styles.
One of the painters responsible for the naturalistic components in Sienese art was Pietro Lorenzetti (c. 1280–1348). Ambrosio Lorenzetti (1290–1348) and his brother constructed the foundations for the Renaissance that would emerge in Florence within a few decades. Giovani Pisoto and Giotto, who were experts in fusing the Gothic and Renaissance movements, were Lorenzetti's teachers.
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QUESTION 1
The terms Movie, Film, and Cinema can never be used interchangeably in the text book and the world of film.
O True
O False
The terms Movie, Film, and Cinema can never be used interchangeably in the textbook and the world of film. The statement is false.
What is Cinema?The art of using moving pictures to tell stories is called cinema. Cinema is a technique to portray the world from the director's point of view, which encourages others to think creatively and imaginatively.
Each of the three terms is interchangeable. Both terms are used in dictionaries to refer to a feature film, and the Wikipedia article for Movie links directly to the page for Film.
All three words Movie, Film, and Cinema reflect similar meanings as a movie in motion presenting any idea for the purpose of entertainment.
Therefore, the statement is false.
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how does tintoretto’s the last supper reflect mannerist conventions?
Tintoretto’s the last supper reflects mannerist conventions as the picture is characterized by its intricate composition as well as its perspective that is off-center.
What is Tintoretto’s?Generally, It is a symbol of faith in Christ and everything that it entails, including his birth, death, and resurrection, as well as his teachings. In this sense, the painting "The Last Supper" is an example of classic art that depicts the religious movement that was occurring at that period.
Symbolism, illumination, and a sense of personal identity all play a part in fostering devotion and a Catholic worldview.
The Italian Renaissance painter Jacopo Tintoretto is responsible for the masterpiece titled "The Last Supper." It is now preserved at the Basilica of San Giorgio Maggiore in Venice, Italy. It is an oil painting on canvas that was completed between 1592 and 1594.
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CQ
Which statement best describes how Tintoretto's The Last Supper reflects Mannerist conventions?
Which phrase best defines the word theme as it's used to discuss literature?
what the main character is thinking
the most important scene in any story
an idea suggested by a story's details
how the conflict in the story is resolved ..helpp
Answer:
an idea suggested by a story's details
The work of art is attributed to Pietro Lorenzetti. How does his work represent a bridge between Gothic art and the Renaissance? What period influenced his artwork?
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The work of art is attributed to Pietro Lorenzetti as well as how his work represent a bridge between Gothic art and the Renaissance and the period influenced his artwork is given below
Giotto, who was one of the founders of the Italian Renaissance, had a significant influence on him. As a Gothic painter, he valued elements like the use of ornamental detail and anecdotes, but his figures displayed emotions, tenderness, and humanity, and he handled perspective with remarkable skill, which are traits of Renaissance art. As a result, his work serves as a bridge between the two styles.What drew people to Pietro Lorenzetti?The main representative of Sienese secular art in the years prior to the Black Death was Pietro Lorenzetti, an Italian Gothic painter of the Sienese school (born c. 1280/90, Republic of Siena [Italy]—died c. 1348, Siena).
Therefore, his works includes In Siena's Palazzo Pubblico's Sala dei Nove (Salon of Nine or Council Room), he created The Allegory of Good and Bad Government. Pietro Lorenzetti, a painter, was his older brother.
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the first movement of dvorak american string quartet is almost entirely homophonic, meaning that it consistsm of
The first movement of the dvorak american string quartet is almost entirely homophonic, meaning that it consists of instrument such as viola and first violin.
What was the Quartet Movement in F major?In history, the Quartet Movement in F major was the first movement of a planned string quartet in F major by Antonín Dvořák composed in early October 1881 to fulfill a commission from the Hellmesberger Quartet and abandoned in favour of the String Quartet No. 11 in C major.
Dvořák completed the first movement in 3 days before abandoning the quartet around 10 October 1881 and starting again, and this time in the key of C major on 25 October 1881
Some people speculates that Dvořák felt the completed movement lacked tension and other claims that Dvořák believed at the time that it was impossible to write a quartet in F major.
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